Equipment

Rates

Rates:

(Files sent via Wetransfer, Dropbox, etc.)

(We use a professionnal service for the transfer of your masters)

Tracks: 35 €
Package 5 tracks: ̶1̶̶5̶̶0̶̶€̶̶ …… 0€
Package 10 tracks: ̶3̶̶0̶̶0̶̶€̶̶ …… 0€
Package 15 tracks: ̶4̶̶5̶̶0̶̶€̶̶ …… 0€
With a Package, additional tracks: +̶3̶̶0̶̶€̶̶ / song …..0€ / song
(Package included DDPi)

MFit (Mastered for iTunes) 24bit 44,1-96khz: ̶+̶̶1̶̶0̶̶€̶̶ / song …..0€ / song
in addition to a conventional mastering

MP3 version: ̶+̶̶5̶̶€̶̶ /song ….. 0€ / song
in addition to a conventional mastering

DDPi 2.0 file set: +̶3̶̶0̶̶€̶̶  ….. 0€

PMCD (Redbook CD-R) CD-Master + Shipping: ̶+̶̶3̶̶5̶̶€̶̶  ….. 0€

We accept bank to bank, cash, Paypal (+3%) and Bank Check only for french.


Medias

Here you could download a zip files with some samples of our work

Audio via Audio:

Romain Marsault – Le Mortier Japonais

Almonte (Autoproduction)

All At Seas

DelRio – (WeAre Sharks Records)

Karv Du (Autoproduction)

Master Master Wait  (Metadrone Record (Fr), Les Disques Anonymes (Fr), Rockerill Records (Bel) et SWAO Production)

Chevreuil – Sport (RuminanCe Records & Sickroom Records)

College  – Secret Diary (Invada Records – Future Records – Valerie Records)

Passe Montagne – Long Play (RuminanCe Records & Sickroom Records)

Gordz – Super 100% (RuminanCe Records)

Sabo – 8 Saisons à L’ombre (RuminanCe Records)

Chevreuil – Chateauvallon (RuminanCe Records – Sickroom Records – SUS Inpartmaint)

Percevalmusic – Design (TC REC)

Audio Via Video:

References

BANDS:

Adrien Kanter, All At Sea, Almonte, Boy & The Echo Choir, College, Chevreuil, Del Rio, Emma Zunz, Gordz, Les Sales Tongs, Limbo Lake, Master Master Wait, Muddigger, Mansfield Tya, Passe Montagne, Percevalmusic, Room 204, Sexy Sushi, U-Boat, Vierge, Violant Kop, Vicious Klub…

ENGINEERS:

Steve Albini, Lionel Darenne, Miguel Constantino…

LABELS:


Africantape, RuminanCe Records, Effervescence, Humpty Dumpty Records, Sickroom Records, Valerie Records, Futur Records, Invada Records, Teona, Euphrate Records, SK records, Rockerill Records, Bitchy Prod, We Are Shark Records, Wild Youth Records…

STUDIOS:


Constantino Recording, Electrical Audio, Studio LaFrette, Ohm Studio…

SOME PROJECTS:

Chevreuil – « Sport » (label : Ruminance Records & Sickroom Records)

Mansfield.Tya – « S/T » (label: Teona)

Room 204 – « S/T » (label : Effervescence)

Percevalmusic – « Viescolaire »(label : Effervescence)

Boy & the echo choir – « and-night-arrives-in-one »(label : Humpty Dumpty Records)

College – « Secret Diary » (label : Invada record – Futur Records- Valerie Records)

Maethelvin – « S/T » (label : Valerie Records)

Chevreuil – « Chateauvallon » (label : Ruminance Records & Sickroom Records)

Mansfield.Tya – (label : Téona – Wagram)

Passe Montagne – « Long Play » (label : Ruminance Records & Sickroom Records)

Passe Montagne – « Extended Play » (label : Euphrate Records)

Gordz – « Super 100% » (label : Ruminance Records)

Chevreuil – « Ghetto Blaster » (label : Ruminance Records & Sickroom Records)

Sabo – « Huit saisons à l’ombre » (label : Ruminance Records)

Emma Zunz (label : SK Records)
Vierge (label : Diagone)

Vicious Klub – « You sound so bitter » (label: Bitchy Prod)

Violant Kop – « From stadium to garage » (Bitchy Prod)

Percevalmusic – « Recueil du mal » (label: TC)

Master Master Wait – « Modern War » (Rockerill Records)

Violant Kop – « Uptight » (Bitchy Prod)

Soakin Sampler Vol 1 (Soakin Records)

FAQ

For the mastering session, we will need:

• Your song order
• Any information you have about what you’d like to achieve
• Any song spacing notes
• ISRC if you have it,
• CD-Texts, EAN/UPC, Metadata to insert on your DDP Files or CD-master
• Please note your files with a number, like the order of your tracks
• We accept sample rates between 16 Bit / 44,1 kHz & 32Bit float / 192 kHz
• We prefer stereo interleaved wave files .wav, but we accept split mono files .aif
• Please don’t send us Mp3 files
• Create a finished mix with at least -3-6 dB of peak headroom for delivery to mastering
• Don’t use too much compression on your master bus (It’s better without compression)
• Keep some « air » on your mixes 2 seconds before the beginning of the song and 2 seconds at the end
• Bounce your tracks in the same format as you worked in
• Don’t use « normalize » or any « dither » when you bounce or export
• We don’t believe in the « stems » mastering process, a good mix can sound great after a good mastering process.
  We think « stems » just procrastinates the moment of choice.
  We believe in the work of recording engineer and mixer, we prefer a position after this practice to give your mixes the best possible sound.
  (90% of the time, artists are present on mixing sessions, not on mastering sessions!)