Equipment

Rates

Rates:

(Files sent via https://fidbak.audio/retroengineeringmastering/fidbot )

(We use a professionnal service for the transfer of your masters)

Tracks: 35 €

Package 5 tracks:  150€̶̶

Package 10 tracks: 300€̶̶

Package 15 tracks: 450€̶̶

With a Package, additional tracks: +30€̶̶ / song

(Package included DDPi)

24bit Master 2 songs: (For Vinyl Production at another facility) These are 2 singles 24bit files assembled as SIDE A & B: 50€̶̶  in addition to a conventional mastering

MFit (Apple Digital Masters) 24bit 44,1-96khz: +10€̶̶ / song

in addition to a conventional mastering

MP3 version: +5€̶̶ /song

in addition to a conventional mastering

DDPi 2.0 file set: +30€̶̶

PMCD (Redbook CD-R) CD-Master : +10€̶̶

Mixing Option : Contact us to have cotation

Medias

Here our Fidbak player with a lot of samples!

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References

https://www.masteringcredits.com/profile/Tony Chauvin

BANDS:

Adrien Kanter, All At Sea, Almonte, Boy & The Echo Choir, Cassie Raptor, College, Chevreuil, Danse Musique Rhône Alpes, Del Rio, Dinner With Matt Gilchrest, Emma Zunz, Faustine Seilman, Gordz, Les Sales Tongs, Limbo Lake, Maud Geffray, Master Master Wait, Muddigger, Mansfield Tya, Passe Montagne, Percevalmusic, Rebeka Warrior, Romain Marsault, Room 204, Sexy Sushi, The John-Pauls, The Rabblers, U-Boat, Uzi Freyja, Vierge, Vimala Pons, Violant Kop, Vicious Klub…

Recording & mixing Engineers:

Steve Albini, Lionel Darenne, Miguel Constantino, Krikor, …

LABELS:


Aagoo Records, Africantape, RuminanCe Records, Effervescence, Humpty Dumpty Records, Sickroom Records, Valerie Records, Futur Records, Kythibong records, Invada Records, Teona, Euphrate Records, SK records, Rockerill Records, Bitchy Prod, We Are Shark Records, Warriorecords, Wild Youth Records, Je demain…

STUDIOS:


Constantino Recording, Electrical Audio, Studio LaFrette, Ohm Studio…

SOME PROJECTS:

Cloches sous pression – Charles Dubois and François Dufeil (Label: Autoprod)

King Q4 – Percussions synthétiques Vol 1, 2, 3 (Label: Autoprod)

Maund Geffray – Free Fall (label: Warriorecords)

Danse Musique Rhône-Alpes – Potion Trouble (label: Warriorecords)

Je Demain « compilation » – Innerclub (label: Je Demain)

Rebeka Warrio and Marlène Saldana – Showgirl ( label: Warriorecords)

Cassie Raptor – 1984 (Label: Warriorecords)

Dinner With Matt Gilchrest – Desperate Flotsam (label: DWMG)

Vimala Pons – Eusapia Klane (labels: Warriorecords, Kythibong)

Uzi Freyja – EP (label: Warriorecords)

The John Pauls – Les Bon Mots ( Label: Aagoo records)

Romain Marsault – Le Mortier Japonais (labels: Un Deux, Burning Church, Abandon Album, Schmalzgrus, Kizmiaz records, Madame Rêve, Super Loto Editions)

Faustine seilman – The Nightwatcher (label: Autoprod)

Dinner With Matt Gilchrest – EP (label: DWMG)

The John Pauls – Forget to remember to forget ( Label: Aagoo records)

Chevreuil – « Sport » (label : Ruminance Records and Sickroom Records)

Mansfield.Tya – « S/T » (label: Teona)

Room 204 – « S/T » (label : Effervescence)

Percevalmusic – « Viescolaire »(label : Effervescence)

Boy and the echo choir – « and-night-arrives-in-one »(label : Humpty Dumpty Records)

College – « Secret Diary » (label : Invada record – Futur Records- Valerie Records)

Maethelvin – « S/T » (label : Valerie Records)

Chevreuil – « Chateauvallon » (label : Ruminance Records and Sickroom Records)

Mansfield.Tya – (label : Téona – Wagram)

Passe Montagne – « Long Play » (label : Ruminance Records and Sickroom Records)

Passe Montagne – « Extended Play » (label : Euphrate Records)

Gordz – « Super 100% » (label : Ruminance Records)

Chevreuil – « Ghetto Blaster » (label : Ruminance Records & Sickroom Records)

Sabo – « Huit saisons à l’ombre » (label : Ruminance Records)

Emma Zunz (label : SK Records)

Vierge (label : Diagone)

Vicious Klub – « You sound so bitter » (label: Bitchy Prod)

Violant Kop – « From stadium to garage » (Bitchy Prod)

Percevalmusic – « Recueil du mal » (label: TC)

Master Master Wait – « Modern War » (Rockerill Records)

Violant Kop – « Uptight » (Bitchy Prod)

Soakin Sampler Vol 1 (Soakin Records)

FAQ

For the mastering session, we will need:

• Your song order
• Any information you have about what you’d like to achieve
• Any song spacing notes
• ISRC if you have it,
• CD-Texts, EAN/UPC, Metadata to insert on your DDP Files or CD-master
• Please note your files with a number, like the order of your tracks
• We accept sample rates between 16 Bit / 44,1 kHz & 32Bit float / 192 kHz
• We prefer stereo interleaved wave files .wav, but we accept split mono files .aif
• Please don’t send us Mp3 files
• Create a finished mix with at least -3-6 dB of peak headroom for delivery to mastering
• Don’t use too much compression on your master bus (It’s better without compression)
• Keep some « air » on your mixes 2 seconds before the beginning of the song and 2 seconds at the end
• Bounce your tracks in the same format as you worked in
• Don’t use « normalize » or any « dither » when you bounce or export
• We don’t believe in the « stems » mastering process, a good mix can sound great after a good mastering process.
  We think « stems » just procrastinates the moment of choice.
  We believe in the work of recording engineer and mixer, we prefer a position after this practice to give your mixes the best possible sound.
  (90% of the time, artists are present on mixing sessions, not on mastering sessions!)